When I was 19, I lost my father, the only caretaker I'd known my entire life.
Growing up in Brooklyn, NY in the '80s, it was common for black children to be raised by drug-addicted parents. My mother abandoned my sister and I while succumbing to her addiction to crack cocaine. But my father, he stayed. And that man loved me fiercely for the years we had, while battling his own addiction to heroin. Despite his own pain, he took care of me. Losing him is still the worst pain I've ever felt in my life.
Throughout my 20s, I was excessively drinking, crying uncontrollably, and thinking of ways to cause myself harm. It wasn't until 2015 that I was finally able to put a name to the despair: I was diagnosed with major depressive disorder at 27.
For as long as I can remember, I soothed the painful experiences of my life with achievement.
As a child, it was E (excellent) and G (good) marks on my report cards, perfect spelling test scores, and Student of the Month awards. As a teenager, it was acceptance to every college I applied to, thanks to my 1800 SAT score. After my father died, I kicked that soothing into high gear with college and starting my career. I loaded my school schedule to the brim. I pulled long nights at the college paper. I brought home A's and B's. I interned at VIBE Magazine, and nabbed an editor job. I worked 14-hour days on weekends. From VIBE, I landed at BET Digital and became the Entertainment Director. I worked and worked––all day, and all night.
After my diagnosis, I was in and out of therapy, wholly unprepared to tackle the roots of my gripping sadness. By 2017, I decided to commit to the work: I began weekly sessions, started learning coping practices and adding two-and-two together between my childhood traumas and my current behaviors. I began what was, and still is, a necessary and exhausting crawl towards my own healing.
While doing this healing work, I had to face some tough realities. The first one was that I simply could not handle the external workload I'd piled onto myself anymore; I began to find it more and more difficult to get through the day with dry eyes. Secondly, but more piercing, I had to face the fact I had made success a mechanism of distraction and a marker of my self-worth. I wasn't just achieving all my life to numb pain, I was achieving to find reasons to love myself.
My inner work was showing me my unhealthy relationship with my outer work.
Ultimately, I had to put one on hold for the other. Without a healthy mental and emotional state, I was not able to perform at work, and was asked to take a short-term disability leave. Disability? I struggled with the term for weeks. But according to the World Health Organization, depression and anxiety cost the United States $1 trillion in lost productivity, and is one of the leading causes of disability filings.
For the first few weeks of my leave, I grappled with feelings of failure. How dare I not be strong enough to cry and work? I wrestled with anxiety by putting pressure on myself to "figure this out". I wept on the phone as I told insurance reps things I had never said out loud: "I have a hard time getting out of bed in the morning," "I ask to work from home when I'm crying and can't figure out why," "I'm having a hard time focusing," "Some days I'm really sad and have a hard time being around people." I felt useless. Defeated. Unworthy.
But as the weeks went on, a necessary detachment from achievement took place. I started to muse over who I was outside of all the gold stars. I started to find things I liked to do that didn't include my job. I found things to be happy about that didn't equal "success". I cried––a lot. I made room for myself outside of the hustle and bustle. I slowed down.
And when I did all of this, I learned something that I will never forget for the rest of my life: I am not a superhero.
Black women are groomed to be super. We are groomed to carry heavy weight, to endure––all while still getting shit done. But we are human. Humans who deserve healing. Humans who deserve to be extraordinary without being left on empty. And I am glad I afforded myself that space and time. I don't have anything figured out. But I feel more prepared to continue the fight.
To all the black women pouring from an empty cup: Take a break. It is so necessary.
xoNecole is always looking for new voices and empowering stories to add to our platform. If you have an interesting story or personal essay that you'd love to share, we'd love to hear from you. Contact us at submissions@xonecole.com.
Originally published June 20, 2019.
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Exclusive: Melanie Fiona On Making High-Vibrational Music & Saying Yes To Partnership
Melanie Fiona is back! After taking a little more than a decade-long hiatus, she has officially made her return to music and blessed us with two singles, “Say Yes” and “I Choose You.” While both singles are very different from each other, they both reflect who she is today and the type of music she wants to make. In our conversation, the mom of two expressed what she learned during her time away.
“It's interesting, even when I said it is like coming back, I don't ever feel like I really left because I was always still performing. I've still been public. It's not like I went into being this recluse person or version of myself, but the thing that I really learned in this process is that I think things take time,” Melanie says in a xoNecole exclusive.
“I think often we're so caught up in it, being on the timing of demand or popularity, or, like, striking while the iron is hot and the thing that I've learned is that everything is on God's time. That's it. Every time I thought I would have been ready, or, like, things were taking too long, I had to reship some things, personally, professionally, in my life. I also gave myself permission to make a living, not just make a living, but make a life for myself.”
Making a life for herself included getting married to Grammy-nominated songwriter Jared Cotter, starting a family, and embracing new landscapes, such as podcasting as a co-host of The Mama’s Den podcast. She also began doing more spiritual work and self-care practices like meditation, sound healing, Reiki, acupuncture, and boundary setting, which allowed her to get in touch with her inner voice.
“I wasn't putting out music, and I wasn't experiencing a number one record, but I was being a number one mom,” she says.
“I was experiencing things that were allowing me to heal and get in touch with myself so that I could make new music from a space of joy and freedom, and excitement again because I definitely feel like I did lose some excitement because of just politics and industry and what it can do to your mental health and even your physical health. So giving myself the space to really just say, ‘Hey, it's okay. Everything's right on time.’”
The joy and excitement are felt in one of two new singles, “I Choose You,” which is more of a lovers rock vibe, a tribute to Melanie’s Caribbean roots. While the Grammy award-winner is known for ballads like “It Kills Me” and “Fool For You,” she is becoming more intentional about the music she makes, calling it high-vibrational music. She says her music is a “reflection of my life,” as it captures every facet, from hanging out with friends to riding around in her car.
“Say Yes” has the classic R&B vibe Melanie is known for. However, both songs are inspired by her relationship. Melanie and Jared got married in December 2020, and the Toronto-bred artist dished on their relationship. Fun fact: he is featured in the “Say Yes” music video.
“When we first started dating, I had come into that relationship post a lot of self-work. I had gotten out of a long-term relationship, I had a year and a half to date and be by myself and do a lot of work on myself alone. And when we met, I remember feeling like this has to be my person because I feel it,” she says.
“And so when we went into that relationship, and we started dating, I was very clear. I was like, I know what I want. I'm very clear on what I need, and I'm not going to withhold my truth about myself in this process because of pride or fear of rejection. I know you love me, but I'm coming with my heart in my hand to let you know that if we're gonna get there, we have to put fear aside and say yes. So that was kind of like my open letter to him, which is why the video is us having a conversation.”
Melanie also shares that saying yes to her partner has empowered her in many ways, including motherhood and showing up for herself. Her new EP, also titled Say Yes, will be available at the top of 2025.
Check out the full interview below.
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Feature image by Franco Zulueta
There's something about snuggling up in your favorite blanket and watching a comfort show or movie on Netflix, and what better time to do just that than in December? As the weather outside gets cooler, staying in becomes more of the norm. Thus, Netflix and Chill is a go-to. Luckily, Netflix has released new Black films and series on their popular streaming platform.
From Tyler Perry's historical drama The Six Triple Eight, starring Kerry Washington, to the Will Packer-produced comedy starring Marsai Martin, Regina Hall, and Issa Rae, Little, this season is looking up.
See the full list below.
Little (12/1)
Regina Hall's character is a bossy tech mogul who has everyone scared of her, including her assistant, played by Issa Rae. However, when she transforms into her younger self (Marsai Martin), she learns how to be more kind to others.
Daddy Day Care (12/1)
Eddie Murphy stars in this film as a father who decides to open a daycare after losing his job.
30 For 30 Collection (12/2)
30 For 30 is an ESPN docu-series highlighting some of sports' legendary figures and moments. Some of the episodes include Winning Time: Reggie Miller Vs. The New York Knicks and Celtics/ Lakers: The Best of Enemies.
Jamie Foxx: What Had Happened Was (12/10)
In this special, the multi-talented Jamie Foxx returns to stand-up to give an unforgettable performance.
Blood, Sweat & Heels S2 (12/13)
The short-lived Bravo reality TV series documented the lives of a group of girlfriends making it in NYC. The show starred model-turned-podcaster Melyssa Ford, author Demetria Lucas, and the late TV host Daisy Lewellyn.
The Equalizer S1-3 (12/16)
The hit CBS show starring Queen Latifah is now available on Netflix. Watch the beloved actress kick ass and take names in this popular drama.
The Six Triple Eight (12/20)
The new Tyler Perry film starring Kerry Washington is a true story about the first and only Women’s Army Corps unit of color during World War II.
Christmas Game Day Ravens Vs. Texans (12/25)
While many will tune in to watch the Baltimore Ravens vs. Houston Texans game, others will tune in to watch Beyoncé perform during halftime.
Michelle Buteau: A Buteau-ful Mind At Radio City Music Hall (12/31)
Comedian Michelle Buteau's comedy special will focus on her life with twins, going viral, and much more.
Evil S3 (12/31)
While Evil was unfortunately canceled by CBS, viewers can rewatch the series on Netflix, with season three premiering December 31st.
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Feature image screenshot/YouTube