Just like so many other little girls, I recall wanting to be just like my mom as a child.
She was the coolest woman. The proof of that could be found in her taste, particularly her jam back then which was none other than "Back That Ass Up" by Juvenile. (Although she might plead the fifth if asked about this now.) Most of all, my mom was and still is the baddest. Not in the most modern, lackluster definition of "bad"—I'm talking throwback Webbie and Boosie Bad: "I-N-D-E-P-E-N-D-E-N-T" type bad, with the looks to match, of course—before it was a hashtag.
Just ask the many of men I ran off in Target parking lots and high school boys who I've given the "Helga Patacki" treatment to limit their seuxal innuendos. Beyond having to defend her honor against peers, following in her vanity felt like a failed aspiration for me much of the time—something that I could never live up to, even as I grow to look more like her everyday.
Nevermind that for many years in my childhood, kids taunted me for closely resembling my father (picture Ice Cube circa 1995), a handsome man, but a bit hard for a 12-year-old girl. I realize now that my issues were bigger than that -- my issues are me and my inherent socialization.
I realize now that it's not simply resembling her that I wish to do, it's about having the features that separate us amongst our culture. You see, what I haven't mentioned is that I'm brown with a short, unkempt head of hair, while my mother is mixed race and fair-skinned with long, curly hair.
Through this comparison, I've come to notice the hatred I carry for my hair and how I view my vanity through it.
This revelation is fairly new for me, as it hadn't hit me until I realized how unnerving I often become when men refer to me as "sexy," "beautiful," or "gorgeous" — anything beyond "cute" feels like an oversell in my mind. I could never quite articulate, even within the confines of my own mind, why I felt unworthy and uncomfortable with such compliments from some but not others. After all, this was what I wanted...the beauty of my mother, and the catcalls were the nature of that particular beast.
Sadly, I have to admit that the compliment feels far more meaningful to my spirit when it comes from women and women who exude my mother's qualities. Some might argue that women possess more important qualities than beauty and, as this is true, I won't try to dispute that fact. However, that is currently not my truth. Without hesitation, I will tell you that vanity is of high importance to me, amongst those other qualities that are of importance, which I think is fine. The true problem lies in the terms that I've come to define my beauty on.
Much to my dismay, after so many years of denial and disillusion, I've realized that I have been programed by Eurocentric standards and the desire for some of the qualifying features reflecting those set of standards.
It didn't look like the hatred that I've seen so many others emit, so that left me to believe that hate was not present. I've never made ignorant comments about wanting to procreate with lighter people so that my child wouldn't have certain features, or loving them any differently should they not meet these standards. I don't find my features unattractive on anyone else who may share them, and I have always been so in love with the way that the diversity and range of blackness could be viewed in my brown skin.
But for every part of me that loves my complexion, I hate the hair I was given to complement it and I hadn't realized how much of an impact it had on my self-esteem until I was forced to write it out.
Now, more than ever, I'm questioning so much of my being and the worldviews that I possess in regards to what many would deem as a self-hating quality. I question whether my sexual attraction to certain women is a "type" or a fetishism? Furthermore, I'm able to reflect on why I feel so disarmed by a 12-year-old (my little sister and my mother's doppelganger) and her disdain toward my natural hair and approval towards my straight weaves. I'm left with no room for the perfect teaching moment these scenarios might serve as.
My views towards my hair have long-affected my self-esteem (subconsciously and consciously) and just as this is not a battle that began overnight, it is not one that I anticipate will be resolved overnight.
This is the undoing and the esteem of someone who had received perms from first grade up until the natural hair movement gained momentum during my Junior year of college.
Someone who sang the words to India Arie's "I Am Not My Hair" but didn't really believe in them.
Someone who loves what the natural hair movement means for every other woman except herself.
Someone who has never truly been taught to love and value her hair in the face of the clear genetic differences, mostly because that type of woke parenting wasn't a thing yet. Not to mention, our views on hair and the growing insecurity due to colorism wasn't a primary cause back then. With a growing awareness of these issues in communities of color, it seems that we make greater strides to remind children that in spite of differences, we're all beautiful.
With time, I hope to work through and change my worldview -- especially for the child I hope to bring into the world someday. Whether that child be a boy or girl, teaching them to love the nuances of blackness is an indispensible lesson that will stick with them throughout their life.
Instead of feeling insecure in the word "beautiful," I want them to feel uncomfortable with it simply because they have far more to offer this world than good looks and pretty hair.
I won't sit here and pretend I've done the hard work and that everything from here on out will be easy because it won't -- change never is, and especially not change that requires a certain level of attention and unpacking to undo the hate that's been passed down generationally since our people arrived in chains.
Well aware that change begins within, I'm fully prepared to take on the hard work for myself with high hopes for the gradual disintegration of the colorism and self-hate we give within our culture.
Otherwise, the cycle of failure will live on, as I can never be someone I'm not.
Motor City native, Atlanta living. Sagittarius. Writer. Sexpert. Into all things magical, mystical, and unknown. I'll try anything at least once but you knew that the moment I revealed that I was a Sag.
Exclusive: Melanie Fiona On Making High-Vibrational Music & Saying Yes To Partnership
Melanie Fiona is back! After taking a little more than a decade-long hiatus, she has officially made her return to music and blessed us with two singles, “Say Yes” and “I Choose You.” While both singles are very different from each other, they both reflect who she is today and the type of music she wants to make. In our conversation, the mom of two expressed what she learned during her time away.
“It's interesting, even when I said it is like coming back, I don't ever feel like I really left because I was always still performing. I've still been public. It's not like I went into being this recluse person or version of myself, but the thing that I really learned in this process is that I think things take time,” Melanie says in a xoNecole exclusive.
“I think often we're so caught up in it, being on the timing of demand or popularity, or, like, striking while the iron is hot and the thing that I've learned is that everything is on God's time. That's it. Every time I thought I would have been ready, or, like, things were taking too long, I had to reship some things, personally, professionally, in my life. I also gave myself permission to make a living, not just make a living, but make a life for myself.”
Making a life for herself included getting married to Grammy-nominated songwriter Jared Cotter, starting a family, and embracing new landscapes, such as podcasting as a co-host of The Mama’s Den podcast. She also began doing more spiritual work and self-care practices like meditation, sound healing, Reiki, acupuncture, and boundary setting, which allowed her to get in touch with her inner voice.
“I wasn't putting out music, and I wasn't experiencing a number one record, but I was being a number one mom,” she says.
“I was experiencing things that were allowing me to heal and get in touch with myself so that I could make new music from a space of joy and freedom, and excitement again because I definitely feel like I did lose some excitement because of just politics and industry and what it can do to your mental health and even your physical health. So giving myself the space to really just say, ‘Hey, it's okay. Everything's right on time.’”
The joy and excitement are felt in one of two new singles, “I Choose You,” which is more of a lovers rock vibe, a tribute to Melanie’s Caribbean roots. While the Grammy award-winner is known for ballads like “It Kills Me” and “Fool For You,” she is becoming more intentional about the music she makes, calling it high-vibrational music. She says her music is a “reflection of my life,” as it captures every facet, from hanging out with friends to riding around in her car.
“Say Yes” has the classic R&B vibe Melanie is known for. However, both songs are inspired by her relationship. Melanie and Jared got married in December 2020, and the Toronto-bred artist dished on their relationship. Fun fact: he is featured in the “Say Yes” music video.
“When we first started dating, I had come into that relationship post a lot of self-work. I had gotten out of a long-term relationship, I had a year and a half to date and be by myself and do a lot of work on myself alone. And when we met, I remember feeling like this has to be my person because I feel it,” she says.
“And so when we went into that relationship, and we started dating, I was very clear. I was like, I know what I want. I'm very clear on what I need, and I'm not going to withhold my truth about myself in this process because of pride or fear of rejection. I know you love me, but I'm coming with my heart in my hand to let you know that if we're gonna get there, we have to put fear aside and say yes. So that was kind of like my open letter to him, which is why the video is us having a conversation.”
Melanie also shares that saying yes to her partner has empowered her in many ways, including motherhood and showing up for herself. Her new EP, also titled Say Yes, will be available at the top of 2025.
Check out the full interview below.
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Feature image by Franco Zulueta
There's something about snuggling up in your favorite blanket and watching a comfort show or movie on Netflix, and what better time to do just that than in December? As the weather outside gets cooler, staying in becomes more of the norm. Thus, Netflix and Chill is a go-to. Luckily, Netflix has released new Black films and series on their popular streaming platform.
From Tyler Perry's historical drama The Six Triple Eight, starring Kerry Washington, to the Will Packer-produced comedy starring Marsai Martin, Regina Hall, and Issa Rae, Little, this season is looking up.
See the full list below.
Little (12/1)
Regina Hall's character is a bossy tech mogul who has everyone scared of her, including her assistant, played by Issa Rae. However, when she transforms into her younger self (Marsai Martin), she learns how to be more kind to others.
Daddy Day Care (12/1)
Eddie Murphy stars in this film as a father who decides to open a daycare after losing his job.
30 For 30 Collection (12/2)
30 For 30 is an ESPN docu-series highlighting some of sports' legendary figures and moments. Some of the episodes include Winning Time: Reggie Miller Vs. The New York Knicks and Celtics/ Lakers: The Best of Enemies.
Jamie Foxx: What Had Happened Was (12/10)
In this special, the multi-talented Jamie Foxx returns to stand-up to give an unforgettable performance.
Blood, Sweat & Heels S2 (12/13)
The short-lived Bravo reality TV series documented the lives of a group of girlfriends making it in NYC. The show starred model-turned-podcaster Melyssa Ford, author Demetria Lucas, and the late TV host Daisy Lewellyn.
The Equalizer S1-3 (12/16)
The hit CBS show starring Queen Latifah is now available on Netflix. Watch the beloved actress kick ass and take names in this popular drama.
The Six Triple Eight (12/20)
The new Tyler Perry film starring Kerry Washington is a true story about the first and only Women’s Army Corps unit of color during World War II.
Christmas Game Day Ravens Vs. Texans (12/25)
While many will tune in to watch the Baltimore Ravens vs. Houston Texans game, others will tune in to watch Beyoncé perform during halftime.
Michelle Buteau: A Buteau-ful Mind At Radio City Music Hall (12/31)
Comedian Michelle Buteau's comedy special will focus on her life with twins, going viral, and much more.
Evil S3 (12/31)
While Evil was unfortunately canceled by CBS, viewers can rewatch the series on Netflix, with season three premiering December 31st.
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Feature image screenshot/YouTube