

In a super animated video from For Harriet's founder, Kimberly Foster, she voiced her distaste for the overplayed unofficial "Ride or Die" rule, and began her discourse with her disappointment of Beyonce and Jay-Z's "Bonnie and Clyde" themed, On The Run II tour.
Though she had some valid points about the detriment of a woman foregoing her self-worth and over-laboring in a imbalanced relationship, I think she may have missed a mark in providing the proper framework for a committed heterosexual relationship or marriage.
This read will break down some of her arguments, as well as collective feminist beliefs, and interject some of these findings with my own critical thoughts about how being a ride or die partner transcends patriarchal gender roles by going both ways.
So, first things first… as a huge Beyonce fan, I'd like to debunk the anchor for her opinion. At the end of the day, you don't "Ride or Die" for someone who doesn't reciprocate. I don't understand why that always seems to be the missing part. Kimberly expressed her annoyance of the overplayed Bonnie and Clyde archetype. Bonnie and Clyde are a real life couple, who were real life criminals, and died as a result of their real ass crimes. It's an archetype that has been romanticized as part of a patriarchal conditioned system.
Outside of the sensationalized criminal wrongdoings of these two people, they committed to each other in a vow that was sacred to them. Do you think that when they were in bed making love, that they were focusing on the bank they just robbed? No. Beyonce and Jay-Z are artists who are doing the expected thing by channeling an infamous fated couple. They might as well throw in their rendition of Romeo and Juliet, Adam and Eve, Mr. and Mrs. Santa Claus...but I digress.
In the comment thread of this video, many people were upset that she omitted their personal battle in marriage. Kimberly then rebuttaled that she was speaking of the "performance." I think that this trivializes their private lives, in which they have clearly fought for the union, which heavily relied on Jay-Z doing right by his wife, coming to terms with his infidelity, and the pain he caused his family. Jay-Z had to awaken to his toxic masculine qualities, and redeem himself for succumbing to not only infidelity, but also the staunch truths of his past - and I'm sure that Beyonce did not make it easy, because our society certainly didn't.
You don't ride and die for someone who doesn't reciprocate. Period.
Moving on, she mentioned that it would be great to imagine a world where "women get equal care and support." So why stop there? Why stop at imagining this was so? Why not fight against the status quo, whilst upholding what many of us want - a monogamous, reciprocal, healthy and balanced relationship? Instead, she quickly streamlined her conversation into the outdated acceptance of, "women fix men, men take the credit." If you have been on a spiritual path like the one I have been on, which requires you to raise your vibration, then you likely don't subscribe to this old paradigm.
This goes for both men and women.
As a womanist, my personal truth is to enlighten men, or anyone who falls victim to the box of misogyny and patriarchy that we live in, about what it means to respect women, because ultimately it translates into respecting yourself. What is the point of embodying a whole ideology of feminism, for the purpose of schooling those who don't get it, to only disallow the desired growth to bloom? In short, I can cling tightly to my feministic convictions, but I fear that women like Kimberly cling so tightly, that they give no space for growth of the other half.
As a student of universal law and energetic exchange, if you think about it, women are built with a more innate intuition, or at least the ability to tap into it, on a greater scale than men are. But men, because of the very rigid separation of their heart centers, they are able to enforce 3D or physical stability, protection, and provisions. Now that things are shifting energetically, women are growing more of that physical ability to enforce that masculinity within us, and men are learning to embrace and utilize the feminine energy. Kimberly did mention that a paradigm of this nature would be better for men as well, and that is something we can agree on.
Another point that I found problematic was when she generalized the idea that men use women as, "a means to an end," and a "vehicle to get to their best self." Well, I have seen with my own eyes relationship dynamics where men depend on women for everything, including: housing, food, money, and emotional support. I doubt however, that the co-dependency in this type of relationship leads to being their best selves.
I'm a firm believer that you only attract the sum of yourself.
If you end up with a man who does not take accountability for himself, then you sis, are not embodying your best self. As gender roles continue to transform and people are waking up to the idea of balancing masculine and feminine energies within themselves, both men and women will find themselves shifting out of this old paradigm.
In her own words, she said one of the critical failures of feminism is that "we don't provide women with the tools to push back against the social norms." In Kimberly's critique of the "Ride or Die" trope, ironically, she is not providing the tools to help women push back against the social norms, by denying or omitting the fact that the paradigm she speaks of is transforming.
How many Black women do you know is gung-ho about training a grown little boy? The true problem is in how many of us subscribe to the aforementioned statement, being the only thing that is available, and in the process, not working on our self-introspection, self-love, and self-care, that will ultimately get us to a point of vibration where we will attract our equals.
The idea of being a "Ride or Die," transcends not only the patriarchal paradigm that we have been socialized and conditioned to live in, but it also transcends race, gender, and heteronormative relationships.
It's about respect, love, equality, and mutual reciprocation for the person you share your life with.
I have worked hard to get myself to a level of self worth, and unconditional love within my own soul, and you best believe that when I find my vibrational equal, I will "Ride and Die" for that man, because he will do the same for me.
Want more stories like this?
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Fontaine Felisha Foxworth is a writer and creative entrepreneur from Brooklyn New York. She is currently on the West Coast working on creating a TV Pilot called "Finding Fontaine", that details the nomadic journey of her life so far. Keep up with her shenanigans @famoustaine on IG.
Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Feature image by Leon Bennett/WireImage
Teyana Taylor & Aaron Pierre Might Be The Internet’s New Favorite Pairing
Is it just us, or are Teyana Taylor and Aaron Pierre making it harder and harder to believe that they’re not a thing?
The two have been serving soft launch vibes for months, but their most recent Instagram interaction has folks raising their eyebrows and their glasses.
Just this week on Sunday, April 13, Aaron shared a shirtless selfie to his IG Stories, a classic thirst trap moment, complete with abs on display, and emitting just enough heat to get the timeline talking. Not long after, Teyana hopped on her own IG Stories with a three-word message that had the internet abuzz: “on di wey 😮💨.”
Aaron Pierre/Instagram via people.com
Now, maybe it was just a coincidence... but let’s be honest, it didn’t feel like one.
Especially considering Aaron’s West Indian roots and Teyana’s long-documented admiration for tall men she can climb like a tree (her ex-husband Iman Shumpert is 6'5" and Aaron's not far behind at 6'4"). That “on di wey” hit like a flirty green light. And fans caught it, quick.
Teyana Taylor/Instagram via people.com
This isn’t the first time these two have had us side-eyeing and doing double-takes to their timelines.
On March 3, Teyana posted a striking set of black-and-white photos on Instagram alongside Aaron. The two stood back-to-back, dressed to the nines and giving high-fashion, high-intensity energy. Her caption? “Oscar night in black & white, no grey area. 🤍”
Aaron posted the same photos, except his was without a caption, just vibes.
They also shared a table at the American Black Film Festival Honors back in February (where Teyana was also spotted holding his award that he won that night) and were spotted at the Vanity Fair Oscar party looking entirely comfortable in each other’s space. While they haven’t officially confirmed anything, the visuals have done most of the talking.
(L to R) Aaron Pierre, Teyana Taylor, Niecy Nash and Jessica Betts attend the 2025 Vanity Fair Oscar Party
Dave Benett/VF25/WireImage for Vanity Fair
And if you're wondering whether Teyana fits Aaron’s type? First, how could she not be? But second, according to a 2024 interview on Buzzfeed’s Seasoned podcast, the Mufasa: The Lion King star had a thing for women like Ashanti and Foxy Brown growing up. "My first childhood crush was Ashanti, and my second childhood crush was Foxy Brown," he shared at the time, sending social media into a frenzy.
Black women who exude sex appeal, confidence, and boss energy, aka, everything Teyana walks with daily. She’s the moment, the mood, and apparently… the mirror selfie responder...
Since finalizing her divorce from Iman in June 2024, Teyana has been booked, unbothered, and flourishing on her own terms. Between starring in a Dionne Warwick biopic and starring in One Battle After Another, a star-studded film led by Leonardo DiCaprio and helmed by director Paul Thomas Anderson, sis is locked in.
Aaron, meanwhile, is fresh off voicing the title role in Mufasa: The Lion King and gearing up to appear in Lanterns, an upcoming Max DC series, as well as the new season of The Morning Show. Lowkey highkey, they’re both in their leading-role eras, on-screen and maybe, just maybe, in each other’s lives.
Or maybe it’s just vibes. Maybe it’s more. But from the flirty exchanges to the red carpet proximity, this pairing feels like the kind of slow burn romance that soft launches are made of.
And if it is what it looks like? We love this for her.
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Featured image by Neilson Barnard/Getty Images for Vanity Fair