

I can't lie. Black love feels different since Korryne.
Since Trayvon.
Since Philando.
Since Rodney f--cking King.
It feels more profound and more important.
I haven't been able to write lately because I've been reflecting on what it means to be loved and Black.
When I was 13, my father abandoned us. He abandoned me. The reasons didn't even matter. Ultimately, he was needed and did not show up. He was the first man to ever teach me that love could be temporary. Retracted. That it could dissolve into thin air. It left me wondering why I was so damn insignificant. Wondering what about me could be so easily dismissed.
He was the first man to ever teach me that love could be temporary.
And yet, I couldn't love a Black man until I forgave my father for every wrong thing he ever did.
And I couldn't forgive my father until I forgave myself.
If you're Black, there are two things I know for sure. That you are beautiful and that you are damaged.
I know your parents are likely more damaged than you. And their parents before them, even more so. You don't have to come from degradation or poverty for this to be true. You don't have to come from hell for this to be true. This is true because the condition of the world in which we live is such that we have been conditioned as slaves. Our men have been taken and beaten, our women have been forced to take on things too heavy for their backs. We bent and twisted like tree roots through sidewalks. Unforgivably determined and yet — confined.
It's OK to accept this.
Because it won't change until we accept this.
I can't blame the condition of Black love on the industrial prison complex. I can't blame it on crooked cops. I can't blame it on slave masters who sailed boats filled with Black bodies. There's no place for blame. But understand those things are the reason.
I know that if you're a Black woman it is more likely than not that you have been raped or violently assaulted.
That you have walked out of or into your home feeling unsafe. That you have been told precisely who you are by people who miscalculate your worth. That you have overcompensated for the assumptions on the other side of tables and across rooms. That you may not know your father or feel inconsequential in his eyes. That you keep your chin up because you have to despite a weary neck.
That when people praise you, they are actually praising the generations of women who came before you as well. That you step lightly for no one because you can't afford to be passive. That even though your tongue is sharp and your gaze is fixed, you want to be held and loved and comforted and told everything is alright.
I know that if you're a Black man there has been a narrative written in your name. You may have been raped, beaten, neglected, assaulted and forced to shake it off. That you may have been raised by a tired single mother who didn't have the time or was not taught to think about your emotional development. Who may have leaned on you too hard, too soon and taught you to feel burdened by the opposite sex. That you exist in an alternate reality in which Black men are taken for granted by passers-by — who can't possibly acknowledge that they are walking past kings.
I know these things. We all know these things. And yet we pretend that we don't.
And then there's Black love.
We're thrust into the gravity of each other. Maybe for a night or a summer or possibly a decade or a lifetime.
The Black man and the Black woman who have been given skewed versions of love lessons.
Standing in rooms we didn't choose to be in.
Trying to run from and understand each other at the same time. The tug-of-war is poetic and heartbreaking and life-giving. We write love letters with missing syllables and still dance to its rhythm in pure imagination. But that shit doesn't last.
How do you love someone who may be systematically broken? And who, throughout their life, may break again and again?
I don't pretend to be an expert in the art of Black forgiveness but I do know it begins with forgiving yourself. To stand in front of a mirror, or at a bus stop or before an ocean or on line at the supermarket or at the wake of a new lover's touch and say or think, “I forgive myself."
I FORGIVE MYSELF.
To accept that every painful thing you've experienced was in fact abuse — no matter how insignificant you've been told it was. That you should have been treated better but was not. That you shouldn't have been discarded or ignored or profiled — but you were. To forgive the cracks and missing pieces that exist within yourself and understand those marks are things of beauty. Because we are not what has been done to us. We are walking manifestations of our ancestors' dreams. Every one of us.
If you can forgive yourself a thousand times a day — know that you will have to forgive your lover just the same. You will have to accept that they will hurt you, pull away from you, lie to you, and perhaps leave you. That they may do those things because those things have been done to them by others. Or by you.
And then you have to accept how important this process is. The static in the air right now is solidifying.
We are at war.
We do have to fight back.
We do have to be aggressive.
We do have to be relentless.
But if Black people are standing on a battlefield, make no mistake — our greatest weapon is the ability to be loving.
To ourselves, to our lovers, to our children.
To our oppressors who are cowardly waiting for us to retreat.
Ashley Simpo is a writer, mother and advocate for self-care and healthy relationships. She lives in Brooklyn, NY. Follow her on Instagram and Twitter @ashleysimpo. Check out her work and her musings on ashleysimpocreative.com.
Eva Marcille On Starring In 'Jason’s Lyric Live' & Being An Audacious Black Woman
Eva Marcille has taken her talents to the stage. The model-turned-actress is starring in her first play, Jason’s Lyric Live alongside Allen Payne, K. Michelle, Treach, and others.
The play, produced by Je’Caryous Johnson, is an adaptation of the film, which starred Allen Payne as Jason and Jada Pinkett Smith as Lyric. Allen reprised his role as Jason for the play and Eva plays Lyric.
While speaking to xoNecole, Eva shares that she’s a lot like the beloved 1994 character in many ways. “Lyric is so me. She's the odd flower. A flower nonetheless, but definitely not a peony,” she tells us.
“She's not the average flower you see presented, and so she reminds me of myself. I'm a sunflower, beautiful, but different. And what I loved about her character then, and even more so now, is that she was very sure of herself.
"Sure of what she wanted in life and okay to sacrifice her moments right now, to get what she knew she deserved later. And that is me. I'm not an instant gratification kind of a person. I am a long game. I'm not a sprinter, I'm a marathon.
America first fell in love with Eva when she graced our screens on cycle 3 of America’s Next Top Model in 2004, which she emerged as the winner. Since then, she's ventured into different avenues, from acting on various TV series like House of Payne to starring on Real Housewives of Atlanta.
Je-Caryous Johnson Entertainment
Eva praises her castmates and the play’s producer, Je’Caryous for her positive experience. “You know what? Je’Caryous fuels my audacity car daily, ‘cause I consider myself an extremely audacious woman, and I believe in what I know, even if no one else knows it, because God gave it to me. So I know what I know. That is who Je’Caryous is.”
But the mom of three isn’t the only one in the family who enjoys acting. Eva reveals her daughter Marley has also caught the acting bug.
“It is the most adorable thing you can ever see. She’s got a part in her school play. She's in her chorus, and she loves it,” she says. “I don't know if she loves it, because it's like, mommy does it, so maybe I should do it, but there is something about her.”
Overall, Eva hopes that her contribution to the role and the play as a whole serves as motivation for others to reach for the stars.
“I want them to walk out with hope. I want them to re-vision their dreams. Whatever they were. Whatever they are. To re-see them and then have that thing inside of them say, ‘You know what? I'm going to do that. Whatever dream you put on the back burner, go pick it up.
"Whatever dream you've accomplished, make a new dream, but continue to reach for the stars. Continue to reach for what is beyond what people say we can do, especially as [a] Black collective but especially as Black women. When it comes to us and who we are and what we accept and what we're worth, it's not about having seen it before. It's about knowing that I deserve it.”
This interview has been edited for length and clarity.
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Feature image by Leon Bennett/WireImage
'Leave Quicker': Keri Hilson Opens Up About Learning When To Walk Away In Love
What you might call Black love goals, Keri Hilson is kindly saying, “Nah.”
In a recent appearance on Cam Newton’s Funky Friday podcast, the We Need to Talk: Love singer opened up about a past relationship that once had the public rooting for her and former NBA star Serge Ibaka. According to Cam, the pair looked “immaculate” together. Keri agreed, admitting, “We looked good.” But her demeanor made it clear that everything that looks good isn't always a good look for you.
That was all but confirmed when Cam asked what the relationship taught her. Keri sighed deeply before replying, “Whew. Leave quicker.”
It was the kind of answer that doesn’t need to be packaged to be received, just raw truth from someone who’s done the work. “Ten months in, I should have [left],” she continued. “But I was believing. I was wanting to not believe [the signs].”
Keri revealed to Cam that despite their efforts to repair the relationship at the time, including couples counseling, individual therapy, and even sitting with Serge’s pastor, it just wasn’t meant to be. A large part of that, she said, was the seven-year age gap. “He was [in his] mid-twenties,” she said, attributing a lot of their misalignment to his youth and the temptations that came with fame, money, and status.
“There were happenings,” she shared, choosing her words carefully. “He deserved to live that… I want what you want. I don’t want anything different. So if I would’ve told him how to love me better, it would’ve denied him the experience of being ‘the man’ in the world.”
But she also made it clear that just because you understand someone’s path doesn’t mean you have to ride it out with them. Instead, you can practice compassionate detachment like our girl Keri. “You can have what you want, but you may not have me and that.”
When Cam jokingly questioned what if there was a reality where a man wanted to have both “you and a dab of that,” Keri didn’t hesitate with her stance: “No,” adding, “I can remove myself and [then you] have it. Enjoy it.” Sis said what she said.
Still, she shared that they dated for a couple of years and remain cool to this day. For Keri, being on good terms with an ex isn’t a sign of weakness; it's a reflection of where she is in her healing. In a time when blocking an ex is often seen as the ultimate sign of growth, Keri offers an alternate route: one where healing looks like resolution, not resentment. “I think because I have such a disgust for ugliness in my life. Like, I don't do well without peace between me and everyone in my life. Like, I really try to resolve issues,” she explained to Cam.
Adding, “I think that's what makes things difficult when you're like sweeping things under the rug or harboring ill feelings towards someone. When you're healed, when you've done your work, you can speak to anybody when you've healed from things. I think maybe that's the bottom line.”
Watch Keri's appearance on Funky Friday in full here.
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Featured image by Paras Griffin/Getty Images