
The honeymoon’s officially over, and not every couple made it out of paradise with their engagements intact. However, for the Love Is Blind Season 4 hopefuls that did, episodes 6-8 are about cultivating a love that stands the test of time and reentering the real world as husbands- and wives-to-be. In shared apartments provided by the show, the couples will learn to navigate cohabitation, work routines, finances, family and friend dynamics, and most importantly, putting in the work to eventually make the commitment of a lifetime to someone in a matter of three weeks.
In case you missed our first recaps, you can find those here and here. Keep reading for a recap of everything you missed on episodes 6-8 of Love Is Blind.
Spoilers are most definitely ahead!
Kwame + Chelsea
Kwame is doing his best to get back into my good graces, and it’s somewhat working. In episode 6, after the real-ass conversation, he and Chelsea had in Mexico, where she urged him to let the Micah ish go, Kwame seems to be walking the talk of the man that said he was where he was supposed to be in regards to his engagement with Chelsea. As he basks in the glory of doing adulting to the highest level, he seems in awe and at ease and even tells Chelsea that walking into their place together makes him feel “at home in it.”
As they are enjoying their first takeout meal in their spot together, the two begin to talk about cleaning duties and how they should go about dividing chores. Chelsea expresses that she prefers going to bed with a clean kitchen, but Kwame is more 80/30 when it comes to clean dishes. Surprisingly, he notes that he would like for Chelsea to flush the toilet after she uses the bathroom every time. Chelsea makes excuses but eventually agrees. Come on, boo. We can’t be pressed about clean dishes 100% of the time and then leave pee in the toilet for our fiancé to flush for us.
Later on in the episode, the two explore each other’s apartments in real life. I loved the backstory of the healing nature of Chelsea’s decorating decisions and how her space was one of self-expression and fulfillment of her being her full self in ways she couldn’t be in a previous relationship.
Chelsea shares with the camera that things got really real for her that day because, during her single days, she was met with a lot of loneliness. She reveals being on FaceTime calls constantly to feel some kind of connection. “Everything’s different now,” she ends tearfully. “I get to come home to Kwame. And that’s a whole new feeling for me. I’ve wanted it for so long.”
In the episode’s cliffhanger, Kwame and Chelsea learn that they both have dads named Charles, but Chelsea is nervous about how her dad Charlie will receive the news of this very unique circumstance of falling in love, getting engaged, and married in a matter of weeks. While doing her best to combat her nerves, Kwame and Chelsea have a semi-passive-aggressive back and forth about who lectures who the most before Kwame waves his white flag to share why he should be on edge more than she should be on edge.
Despite some of his anxiety around the situation, he does his best to try to assuage Chelsea in her stressful moment, but Chelsea ain’t trying to hear none of that.

Courtesy of Netflix
As revealed at the top of episode 7, all the conversation leading up to meeting Chelsea’s dad was for naught because Charlie barely needed an explanation to get with the program. He embraced Kwame and Chelsea’s relationship with him with literal arms wide open! Later in the episode, Chelsea and Kwame head to Portland, where Kwame actually resides (not Seattle like the majority of the other cast members of the season), to visit his apartment and take some things of his to the shared apartment in order to really coexist.
It’s interesting to note that Kwame would have to uproot the life he leads in Portland to make the relationship and could-be marriage work with Chelsea. He tells the camera he has no friends in Seattle. He has things about Portland that are routines for him. Chelsea is dead set on having a life in Seattle. Kwame notes that he sometimes feels he compromises a lot, maybe too much even.
Later in the episode, when Kwame has the phone conversation with his mom about doing the experiment and moving forward with an engagement with Chelsea, the news is not received well. He tells Chelsea that his mom is a big part of his life and that it is tough to hear that she isn’t happy for him. It’s a stark contrast to the unyielding acceptance we felt from Chelsea’s dad.
Kwame seems to take things in stride, giving his super emotionally intelligent recap of the events to Chelsea, but I can’t help but think that it must be hard to always swallow your emotions and filter them in a way where you have to apply so much reason to the things you have every right to feel. He was hurt and disappointed but does his best to smile through everything. I thought that said a lot about who he strives to be in life.

Courtesy of Netflix
In episode 8, Kwame is making major life adjustments, from moving to Seattle for Chelsea to taking care of her dog, Rocky. When they have a conversation about having a family after bathing Rocky, I appreciate the seriousness of such a topic. It seems like it’s been broached before because Chelsea leads with reminding Kwame that he said three years into being married would be a good time to start a family. The pressure is on, and you can tell as Kwame seems uneasy while Chelsea is speaking her piece about always seeing herself as a mom.
He emphasizes wanting to have time to “enjoy each other.” He notes that Rocky infringes upon their ability to be flexible as it is, even if he sees himself and his future wife traveling the world together. Kids would add another difficult layer to that desire. When she notices that it seems Kwame is grieving a past version of his life, Chelsea asks a fair and important question, “Do you want to settle down?” Thank you, someone who remembers the point of this show.
Kwame tells her that he is compromising a lot. There goes that word again. I have a feeling that is more so what it is about than having kids versus not having kids. He ends the conversation by explaining that he just wants his feelings to be considered. “Considered,” Chelsea replies.

Courtesy of Netflix
As he opens up to Tiffany at Chelsea’s birthday party later in the episode, his issues with compromise and the potential of being too compromising are something that comes up again. In another inappropriate sidebar conversation with Micah, Kwame asks her if she feels she’s made the right choice. As usual, with their conversations, it feels like they are applying feelers to the situation to see if there’s smoke where there’s fire. I have my eye on these two.
He tells the camera that he will always have feelings for Micah, and he likes that their connection is “seamless,” and there’s no pressure to it. I rolled my eyes because he's not engaged to her and there are no ties, and that’s why there’s no pressure. You’re having to make these life-changing decisions about your partner in a matter of weeks. Of course, you’ll feel some pressure with Chelsea that you won’t feel with another woman not directly involved in that relationship.
The fantasy of what could be doesn’t always tell the story of what is and blatant acts of disrespect like this after the conversation he had with Chelsea about letting it go makes me feel for his fiancée. She deserves better than that.
Brett + Tiffany
The hygiene Olympics continue as Tiffany and Brett come onto the scene heading into their nighttime routine. They are sharing the bathroom while Brett brushes his teeth, shirtless, might I add (there was no need, but I felt like context would be a great addition here). Tiffany reveals to the camera that cleanliness might be an issue for them because she likes things clean, emphasis, and Brett is the type to exit the shower and leave water everywhere, which she says is a big pet peeve of hers. When she brought it up to him, he dismissed it as just being water. I mean, it does dry.
When they exit the bathroom, Tiffany tells Brett that a TV in the bedroom would be great to have. Brett disagrees and lets her know that the only thing that should have her attention in the bedroom is sleep or him. She takes that as an invitation and coquettishly replies, “My attention is on you now,” before joining him in bed. “I’m really happy here. And I really mean that,” he expresses to her as she smiles.
Later in the episode, Tiffany introduces Brett to her chosen family of friends for food and drinks. And they started with some tough questions right out the gate, feeling him out for their friend. It was also cool to learn about Tiffany being an easy sleeper from her friends because it provided some context about that infamous night sis fell asleep on Brett in the Pods. Apparently, sir passed their “tests” with flying colors.
Feeling the love from her friends and how much they wanted to see that love epitomized in her partner and how much Brett seemed to exemplify that made for a very endearing scene.

Courtesy of Netflix
In episode 7, Brett takes Tiffany to check out his apartment because if they make it to the altar, it’s where they will be living. It is there that Brett gets coined the nickname “Bougie Brett” by Tiffany, who, despite going on about how clean she is, seemed super impressed with the look and feel of Brett’s uber-neat apartment.
Space, though, quickly becomes an issue as the couple tries to figure out where will things like Tiffany’s clothes fit or even a workspace for her to work. Brett reminds her that he is willing to upgrade to a bigger apartment in the same building if she likes the apartment. “I can see myself living here,” she says to Brett eventually.
As the episode continues, Tiffany is cooking a meal for the pair, and they embark on a conversation about their approach to finances and what their lifestyle will be like after their lives have effectively merged. It was refreshing to hear these types of conversations had between a couple on this show, as I don’t think it’s shown amongst the other couples if they are having these types of convos.
Tiffany references Brett’s expensive taste as something she doesn’t necessarily want to infringe upon, but she does want the bills to be taken care of without having to monitor how much he is spending and on what. Brett adds to that by saying that he is comfortable with doing a 75-25 split or a 60-40 split on some bills. I’m like, okay here. Love to see it. Brett and Tiffany are a beautiful example of what emotional maturity looks like and being on your grown man/grown woman ish. I think this show could definitely use a lot more of that. Cast more Bretts and Tiffanys, please!

Courtesy of Netflix
Nothing of real consequence happens between the couple in episode 8, just Brett and Tiffany being adorable and expressing gratitude about having found each other to be able to do life together. That’s the thing about being a pretty solid couple on the show. There’s no need to do extensive recaps on this couple because conflict doesn’t tend to occur unhealthily.
And that's also why they are my Unproblematic Faves.
Marshall + Jackie
Marshall is a grower, not a shower, it seems, because I felt his love for Jackie beaming through the screen as he talked about the joy he found in developing a routine. I was a little lukewarm on him, but I think when he is expressing his pleasure in doing things for Jackie, his inner light is glowing, and he seems that much brighter overall. He recounts the good things about doing life with her, like waking up to her, making her breakfast before sending her to work, doing his things, and then waiting for her to get home.
While they are on the couch together talking about telling their respective families about their engagement, Marshall shares that his family is "over the moon" happy for him. However, Jackie shared that she told her mom and dad and that their response was, "This is not Jackie." She says it with a laugh and reiterates that they were so shocked and she had to tell them that she was "dead-ass." She ends the story by saying that she still doesn't think they believe her, but they will just have to come to terms with her being engaged in their own time.
Jackie notes that she has to be "up to par" when it's time to meet Marshall's folks but says that she wants to hold off on him meeting her family for as long as possible. When Marshall asks if Jackie thinks her family wants to meet him, she answers, "I would hope so," and then details how her mom and dad are.
Later in the episode, we see Marshall doing his aforementioned favorite thing, cooking breakfast for Jackie. She greets him warmly and learns he is making pancakes with a strawberry raspberry compote. Jackie is so impressed by the initiative and the effort and says excitedly, "Wow, I feel like I'm in a restaurant!" and thanks him with a kiss. "I'm so blessed," she says to him. "You are," he responds.
Jackie reveals to the camera that she has never been loved like this or experienced anything like this before. And that explains a lot of the self-sabotage vibes I got from the previous episodes. She's never been treated like this before, so she might be combatting feelings of unworthiness and doing that thing where we fuck up things that we know are good for us because somehow we've convinced ourselves we don't deserve it. Self-sabotage is a mf.
I see glimpses of the self-sabotage threaten to reemerge in episode 7, where Jackie seems very anxious about something. It is revealed that the couple is talking about meeting his family plus her family's lack of support and that Jackie is stressed out because "it is a lot." Jackie wants Marshall to give her some space to get herself together, and Marshall agrees to take a walk to give her some time. He tells the camera that Jackie has a tendency to ruminate and stay in moods for a long time but that he is able to give her the space she needs to sort through her own feelings. "I can do that for her," he explains.
Jackie eventually opens up to Marshall about her emotions and feeling like she has to make a hefty decision at the end of this experiment that will not only impact her but her relationship with her family since they are not in full support of her and Marshall. She doesn't want to hurt her family, but she also doesn't want to hurt herself in the process. Her anxiety is getting the better of her and as a result, she doesn't feel like she is at her best to meet his family.
Great news, Jackie does decide to meet his family that day despite the emotional tailspin she was in. Marshall's sister and brother-in-law come through with his niece. And the vibe completely shifts from tears to all smiles. "I need to know everything from the beginning," his sister announces as they eat together. Marshall lets his sister know how much of an impact Jackie has made on him as a creative, as a man, and as a person, and breaks down how they bonded.
Marshall's brother-in-law notes that he feels a positive shift in his aura. Jackie speaks her piece about her connection with Marshall and how he's taught her to be more grown. "Marriage is biblical. That's serious. I need to make sure I'm the best version of me before I say yeah," Jackie admits to Marshall's family. I love that Jackie said that because it emphasized her values around the commitment of marriage.

Courtesy of Netflix
I still don't see it for these two. The pieces are there, but there's something missing. They kind of remind me of another couple on the show that I don't talk much about, Paul and Micah, in these recaps. Like they're trying to get pieces to fit, but somehow, it doesn't feel organic. I don't doubt that love is there, but I do doubt this couple and that couple's staying power, especially in terms of having very real sources of conflict but being reluctant to adequately talk through the issues before they build up to be more.
Jackie is downplaying the importance of her family's support or lack thereof and can also just overall feel like a walking red flag. Micah is downplaying the fact that she wants to be able to go back and forth to her place in Arizona, and Paul isn't having any of it. Whereas I feel like Marshall has enough flexibility for a relationship with Jackie to go the distance, I do wonder if it is indeed what Jackie needs. Despite constantly reassuring the viewers and herself, how does she really feel?
In episode 8, the relationship between Marshall and Jackie officially begins to unravel. I didn't think that my concerns about them would be validated, but one argument proved to be a turning point in their relationship and would eventually lead to a point of no return. Marshall tells the camera that the relationship is looking pretty "bleak" with Jackie and that during a conversation they had while the cameras weren't rolling, Jackie told Marshall he needed to "boss up." Now, I know that's one of Jackie's favorite phrases, so I could see her saying that.
Marshall didn't take that phrase very well and heard in her choice of words that he was not "man enough." I don't know if that's what she meant, but that's what he received from her communication, which is perhaps what matters. He apparently left her to stop himself from going off and the conversation from getting too heated. When he enters the house after being gone for 2-3 days (the timeframe isn't clear), Jackie is visibly upset as she is packing.
Marshall passively aggressively questions if she's packing her stuff and why. "I'm not about to play these games with you," she says dismissively as she brushes past him. She reveals that she is upset because she wanted to be able to talk to him in his heated moment, but instead, he leaves. His leaving was a problem for her. She clarified to him that she never said he wasn't man enough for her; she requested that he be more aggressive. "We don't have sex," she says before adding, "Do something."

Courtesy of Netflix
Marshall counters, "It's always what you feel and how you think." Resentment. I knew it was hard having a savior complex, but he was the one who decided to take on that role. You can't be mad at the precedent you set in a dynamic. The argument that follows is so unproductive. I was shook when Marshall did a clap during the back and forth and said he was "testing" her. It's unfortunate that a miscommunication uncovered all of this with threats for both parties to leave the relationship.
Eventually, Marshall speaks his piece about putting in all the work to be the initiator of their physical intimacy, which contradicts Jackie's complaints about him not being aggressive sexually. "You have done nothing to make me feel seduced or special or anything," he tells her. "Make me feel like something, Jackie."
Jackie, of course, then asks something to the effect of why are you with me if I do nothing for you. And Marshall drops the mic when he answers very coldly, might I add, "Because I see you as a project, and I saw potential." PROJECT?!?! PROJECT?!?! I don't like Jackie like that, but I felt for her in that moment because to hear that from someone who, in the same breath, claims to love you has got to be heartbreaking.
And then he repeats the "project" talk a couple more times as if he can't see how hurtful being on the receiving end of a statement like that is. He brings it back eventually by saying it was the emotions talking and that he doesn't see her as a "project"; he sees her as having "limitless potential." It's too late, my g. For me, at least, because Jackie ends up embracing him tearfully after that back peddle. Do I think some things get said in heated situations that aren't always indicative of reality? Absolutely. But I also think sometimes truths come out when the filter and facade come down.

Courtesy of Netflix
With Marshall, I always wondered why he felt like he had to "save" Jackie. It turns out I got that wrong. Seeing her as a project might point to the fact that he wants to "fix" her. Jackie isn't perfect. None of us are. But it's interesting how he went from a nice guy lover boy to a puppeteer who thinks he can direct how someone is by his involvement in their lives. If someone grows from being in a relationship with you, beautiful, but it's not up to you to dictate how that comes to be. More importantly, you shouldn't look at your partner from a lens of, "If this change this, then..."
And even though I don't think he maliciously went into their romance with that at the forefront of his mind, some of what was exposed in that argument spoke volumes for how he views them. I don't care what reconciliation goes down between this couple. I stand firmly in my belief that they don't need to be together. Not right now. They both have work to do. Marshall needs to figure out why he sees partners as projects and the unhealthy cycle of that, and Jackie needs to be more ready to say "I do" ideally to a partner that she likes a little more versus tolerating them because they're "a good man."
Just in case things weren't messy enough, in true LIB fashion, an obligatory get-together happens later in episode 8 for Chelsea's birthday with couples as well as a few contestants who didn't make it out of the Pods, like Josh. Marshall arrives at Chelsea's birthday alone and says he doesn't know where he and Jackie stand.

Courtesy of Netflix
He later confides with Brett that Jackie wants him to be aggressive in the bedroom, which looks like slapping her around, and that's not him. My eyes were just widening in his conversation with Brett because that's not what I got from their argument, but perhaps they had a sidebar that was too hot for TV, and that's what sis meant by "boss up" and being "aggressive." Interesting.
He also relays to Brett that Jackie tells him she "fucks with him tough" but has never said she loves him. Wow. Just wow. It's two weeks away from the wedding, and this is the type of BS this couple is navigating. Despite what they have been going through, Jackie does show up to Chelsea's birthday party. And the messiness continues.
Josh is there. If you can remember from previous episodes, Josh was one of Jackie's connections that she had Marshall tell to step. She finally gets to put a face behind the name and voice. And Josh seems dead set on making it known how he felt about Jackie, that he was in love with her, etc. Just to warn y'all, Josh also gives cringe, but somehow I see somewhat of a vibe when he is standing next to Jackie and getting her to smile with his antics.
Surely enough, Josh steps to Marshall in a drunken and passive-aggressive manner to talk to him about loving the same woman, Jackie. He refers to himself as "Mr. Steal Yo Girl," and Marshall replies half-jokingly, "If you of all people can steal her from me, you can have her." It's honestly hard to read the conversation, and even Marshall seems confused after Josh leaves him alone.

Courtesy of Netflix
Josh's liquid courage leads him to a sidebar one-on-one conversation with Jackie. Josh then takes sabotage to new heights in this series by throwing Marshall under the bus to Jackie, first calling him "NBA Cryboy" and then revealing that Marshall cried with everyone he spoke to. The Micah-Kwame poolside conversation crawled so this one between Josh and Jackie could walk. Jackie seems to really be invested in what he was saying, which is interesting because I didn't think she'd fall for it, but it seems like she might be.
She even mentions not talking about emotions with him in the Pods, which suggests to me that that might have been a reason she chose Marshall over him. Marshall wore his heart on his sleeves, while it seems Jackie might not have been sure if Josh was serious or not despite the way they vibed. "We had a connection, but you never was, like, super deep with me, super open," she explains. Daaaaaamn. All this playing in people's faces this season, I tell you.
Once Marshall becomes privy to this conversation (if he ever does), I'm sure it won't be good.
New episodes of Love Is Blind are now streaming on Netflix.
Featured image courtesy of Netflix
Because We Are Still IT, Girl: It Girl 100 Returns
Last year, when our xoNecole team dropped our inaugural It Girl 100 honoree list, the world felt, ahem, a bit brighter.
It was March 2024, and we still had a Black woman as the Vice President of the United States. DEI rollbacks weren’t being tossed around like confetti. And more than 300,000 Black women were still gainfully employed in the workforce.
Though that was just nineteen months ago, things were different. Perhaps the world then felt more receptive to our light as Black women.
At the time, we launched It Girl 100 to spotlight the huge motion we were making as dope, GenZennial Black women leaving our mark on culture. The girls were on the rise, flourishing, drinking their water, minding their business, leading companies, and learning to do it all softly, in rest. We wanted to celebrate that momentum—because we love that for us.
So, we handpicked one hundred It Girls who embody that palpable It Factor moving through us as young Black women, the kind of motion lighting up the world both IRL and across the internet.
It Girl 100 became xoNecole’s most successful program, with the hashtag organically reaching more than forty million impressions on Instagram in just twenty-four hours. Yes, it caught on like wildfire because we celebrated some of the most brilliant and influential GenZennial women of color setting trends and shaping culture. But more than that, it resonated because the women we celebrated felt seen.
Many were already known in their industries for keeping this generation fly and lit, but rarely received recognition or flowers. It Girl 100 became a safe space to be uplifted, and for us as Black women to bask in what felt like an era of our brilliance, beauty, and boundless influence on full display.
And then, almost overnight, it was as if the rug was pulled from under us as Black women, as the It Girls of the world.
Our much-needed, much-deserved season of ease and soft living quickly metamorphosed into a time of self-preservation and survival. Our motion and economic progression seemed strategically slowed, our light under siege.
The air feels heavier now. The headlines colder. Our Black girl magic is being picked apart and politicized for simply existing.
With that climate shift, as we prepare to launch our second annual It Girl 100 honoree list, our team has had to dig deep on the purpose and intention behind this year’s list. Knowing the spirit of It Girl 100 is about motion, sauce, strides, and progression, how do we celebrate amid uncertainty and collective grief when the juice feels like it is being squeezed out of us?
As we wrestled with that question, we were reminded that this tension isn’t new. Black women have always had to find joy in the midst of struggle, to create light even in the darkest corners. We have carried the weight of scrutiny for generations, expected to be strong, to serve, to smile through the sting. But this moment feels different. It feels deeply personal.
We are living at the intersection of liberation and backlash. We are learning to take off our capes, to say no when we are tired, to embrace softness without apology.
And somehow, the world has found new ways to punish us for it.

In lifestyle, women like Kayla Nicole and Ayesha Curry have been ridiculed for daring to choose themselves. Tracee Ellis Ross was labeled bitter for speaking her truth about love. Meghan Markle, still, cannot breathe without critique.
In politics, Kamala Harris, Letitia James, and Jasmine Crockett are dragged through the mud for standing tall in rooms not built for them.
In sports, Angel Reese, Coco Gauff, and Taylor Townsend have been reminded that even excellence will not shield you from racism or judgment.

In business, visionaries like Diarrha N’Diaye-Mbaye and Melissa Butler are fighting to keep their dreams alive in an economy that too often forgets us first.
Even our icons, Beyoncé, Serena, and SZA, have faced criticism simply for evolving beyond the boxes society tried to keep them in.
From everyday women to cultural phenoms, the pattern is the same. Our light is being tested.

And yet, somehow, through it all, we are still showing up as that girl, and that deserves to be celebrated.
Because while the world debates our worth, we keep raising our value. And that proof is all around us.
This year alone, Naomi Osaka returned from motherhood and mental health challenges to reach the semifinals of the US Open. A’ja Wilson claimed another MVP, reminding us that beauty and dominance can coexist. Brandy and Monica are snatching our edges on tour. Kahlana Barfield Brown sold out her new line in the face of a retailer that had been canceled. And Melissa Butler’s company, The Lip Bar, is projecting a forty percent surge in sales.

We are no longer defining strength by how much pain we can endure. We are defining it by the unbreakable light we continue to radiate.
We are the women walking our daily steps and also continuing to run solid businesses. We are growing in love, taking solo trips, laughing until it hurts, raising babies and ideas, drinking our green juice, and praying our peace back into existence.
We are rediscovering the joy of rest and realizing that softness is not weakness, it is strategy.
And through it all, we continue to lift one another. Emma Grede is creating seats at the table. Valeisha Butterfield has started a fund for jobless Black women. Arian Simone is leading in media with fearless conviction. We are pouring into each other in ways the world rarely sees but always feels.

So yes, we are in the midst of societal warfare. Yes, we are being tested. Yes, we are facing economic strain, political targeting, and public scrutiny. But even war cannot dim a light that is divinely ours.
And we are still shining.
And we are still softening.
And we are still creating.
And we are still It.

That is the quiet magic of Black womanhood, our ability to hold both truth and triumph in the same breath, to say yes, and to life’s contradictions.
It is no coincidence that this year, as SheaMoisture embraces the message “Yes, And,” they stand beside us as partners in celebrating this class of It Girls. Because that phrase, those two simple words, capture the very essence of this moment.
Yes, we are tired. And we are still rising.
Yes, we are questioned. And we are the answer.
Yes, we are bruised. And we are still beautiful.

This year’s It Girl 100 is more than a list. It is a love letter to every Black woman who dares to live out loud in a world that would rather she whisper. This year’s class is living proof of “Yes, And,” women who are finding ways to thrive and to heal, to build and to rest, to lead and to love, all at once.
It is proof that our joy is not naive, our success not accidental. It is the reminder that our light has never needed permission.
So without further ado, we celebrate the It Girl 100 Class of 2025–2026.
We celebrate the millions of us who keep doing it with grace, grit, and glory.
Because despite it all, we still shine.
Because we are still her.
Because we are still IT, girl.
Meet all 100 women shaping culture in the It Girl 100 Class of 2025. View the complete list of honorees here.
Featured image by xoStaff
These Black Women Left Their Jobs To Turn Their Wildest Dreams Into Reality
“I’m too big for a f***ing cubicle!” Those thoughts motivated Randi O to kiss her 9 to 5 goodbye and step into her dreams of becoming a full-time social media entrepreneur. She now owns Randi O P&R. Gabrielle, the founder of Raw Honey, was moving from state to state for her corporate job, and every time she packed her suitcases for a new zip code, she regretted the loss of community and the distance in her friendships. So she created a safe haven and village for queer Black people in New York.
Then there were those who gave up their zip code altogether and found a permanent home in the skies. After years spent recruiting students for a university, Lisa-Gaye Shakespeare became a full-time travel influencer and founded her travel company, Shakespeare Agency. And she's not alone.
These stories mirror the experiences of women across the world. For millions, the pandemic induced a seismic shift in priorities and desires. Corporate careers that were once hailed as the ultimate “I made it” moment in one's career were pushed to the back burner as women quit their jobs in search of a more self-fulfilling purpose.
xoNecole spoke to these three Black women who used the pandemic as a springboard to make their wildest dreams a reality, the lessons they learned, and posed the question of whether they’ll ever return to cubicle life.
Answers have been edited for context and length.
xoNecole: How did the pandemic lead to you leaving the cubicle?
Randi: I was becoming stagnant. I was working in mortgage and banking but I felt like my personality was too big for that job! From there, I transitioned to radio but was laid off during the pandemic. That’s what made me go full throttle with entrepreneurship.
Gabrielle: I moved around a lot for work. Five times over a span of seven years. I knew I needed a break because I had experienced so much. So, I just quit one day. Effective immediately. I didn’t know what I was going to do, I just knew I needed a break and to just regroup.
Lisa-Gaye: I was working in recruiting at a university and my dream job just kind of fell into my lap! But, I never got to fully enjoy it before the world shut down in March [2020] and I was laid off. On top of that, I was stuck in Miami because Jamaica had closed its borders due to the pandemic before I was able to return.

Randi O
xoN: Tell us about your journey after leaving Corporate America.
Randi: I do it all now! I have a podcast, I’m an on-air talent, I act, and I own a public relations company that focuses on social media engagement. It’s all from my network. When you go out and start a business, you can’t just say, “Okay I’m done with Corporate America,” and “Let me do my own thing.” If you don’t build community, if you don’t build a network it's going to be very hard to sustain.
Gabrielle: I realized in New York, there was not a lot to do for Black lesbians and queer folks. We don’t really have dedicated bars and spaces so I started doing events and it took off. I started focusing on my brand, Raw Honey. I opened a co-working space, and I was able to host an NYC Pride event in front of 100,000 people. I hit the ground running with Raw Honey. My events were all women coming to find community and come together with other lesbians and queer folks. I found my purpose in that.
Lisa-Gaye: After being laid off, I wrote out all of my passions and that’s how I came up with [my company] Shakespeare Agency. It was all of the things that I loved to do under one umbrella. The pandemic pulled that out of me. I had a very large social media following, so I pitched to hotels that I would feature them on my blog and social media. This reignited my passion for travel. I took the rest of the year to refocus my brand to focus solely on being a content creator within the travel space.

Gabrielle
xoN: What have you learned about yourself during your time as an entrepreneur?
Randi: [I learned] the importance of my network and community that I created. When I was laid off I was still keeping those relationships with people that I used to work with. So it was easy for me to transition into social media management and I didn’t have to start from scratch.
Gabrielle: The biggest thing I learned about myself was my own personal identity as a Black lesbian and how much I had assimilated into straight and corporate culture and not being myself. Now, I feel comfortable and confident being my authentic self. Now, I'm not sacrificing anything else for my career. I have a full life. I have friends. I have a social life. And when you are happy and have a full quality of life, I feel like [I] can have more longevity in my career.
Lisa-Gaye: [I'm doing] the best that I've ever done. The discipline that I’m building within myself. Nobody is saying, ‘Oh you have to be at work at this time.’ There’s no boss saying, ‘Why are you late?’ But, if I’m laying in bed at 10 a.m. then it's me saying [to myself], 'Okay, Lisa, get up, it's time for you to start working!’ That’s all on me.
xoNecole: What mistakes do you want to help people avoid when leaving Corporate America?
Randi: You have to learn about the highs and lows of entrepreneurship. You have a fast season and a slow season and I started to learn that when you're self-employed the latter season hits hard. Don't get caught up on the lows, just keep going and don't stop. I’m glad I did.
Gabrielle: I think everyone should quit their job and just figure it out for a second. You will discover so much about yourself when you take a second to just focus on you. Your skill set will always be there. You can’t be afraid of what will happen when you bet on yourself.
Lisa-Gaye: When it comes to being an influencer the field is saturated and a lot of people suffer from imposter syndrome. There is nothing wrong with being an imposter but find out how to make it yours, how to make it better. If you go to the store, you see 10 million different brands of bread! But you are choosing the brand that you like because you like that particular flavor.
So be an imposter, but be the best imposter of yourself and add your own flair, your own flavor. Make the better bread. The bread that you want.

Lisa-Gaye Shakespeare
xoNecole: Will you ever return to your 9 to 5?
Randi: I wouldn’t go back to Corporate America. But I don’t mind working under someone. A lot of people try to get into this business saying, “I can't work under anyone.” That’s not necessarily the reason to start a business because you're always going to answer to somebody. Clients, brands, there’s always someone else involved.
Gabrielle: I went back! I really needed a break and I gave myself that. But, I realized I’m a corporate girl, [and] I enjoy the work that I do. I’m good at it and I really missed that side of myself. I have different sides of me and my whole identity is not Raw Honey or my queerness. A big side of me is business and that’s why I love having my career. Now I feel like my best self.
Lisa-Gaye: I really don’t. For right now, I love working for myself. It's gratifying, it's challenging, it's exciting. It’s a big deal for me to say I own my own business. That I am my own boss, and I'm a Black woman doing it.
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Featured image courtesy of Lisa-Gaye Shakespeare
Originally published on February 6, 2023









