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Judge Ketanji Brown Jackson And The Cost Of Being The First
If the vote splits along the party lines as it is expected to, judge Ketanji Brown Jackson will be confirmed as the next justice of the Supreme Court of the United States of America.
The former public defender and judge will have the distinction of being the first Black woman to occupy the prestigious and coveted role, a fact that has dominated much of the conversation around her nomination and her confirmation hearings.
For four days, Judge Jackson sat in front of a belligerent committee answering a barrage of questions ranging from the ridiculous to the downright offensive. Questioning whether her time as a public servant makes her equipped to become a justice to asking her topical — yet irrelevant —- questions about critical race theory and transgender identity. Notably, Texas senator Ted Cruz grilled Jackson about whether he could “turn Asian” or if “babies could be racist” while holding up a copy of an anti racist book for babies. During the hearing, Republican Senator and Senate Judiciary Committee member Thom Tillis from North Carolina even quipped that the extent of his legal knowledge comes from watching the show Law & Order.
Judge Ketanji Brown Jackson being sworn in for her SCOTUS nom hearing
J. Scott Applewhite-Pool/Getty Images
Of all the performances that took place during the confirmation — the bravado, the racism masking as curiosity, the feigned ignorance — it is perhaps the role of the worthy that we all watched Jackson play. There was a photo taken of Jackson as she stands squarely in the middle of a group of white photojournalists who have their lenses fixed directly on her – an almost too apt visual metaphor for the constantly leering gaze of whiteness that Black women operate under.
The disrespect that Jackson faced inflamed a familiar wound for many of the Black women who watched the hearings. There’s not only an expectation for Black women to absorb the verbal assault that comes from being a Black face in a white space, but a virtue that we must inhabit in order to survive.
Much is made about the breaking of glass ceilings, but nothing about the blood that pours out from the person who does the shattering. We’ve been convinced that abuse is worth accepting for the sake of class ascension and being in rooms we’ve historically been barred from. Instead of questioning whether these spaces are worth assimilating into or worth existing at all, we laud the strength of Black women who trek through the treacherous world of whiteness as a way to assuage our guilt for not doing anything to alleviate the burden that requires resilience.
It matters little that Judge Jackson is considered the most qualified person who would ever sit on the Supreme Court or that she has a white husband and the backing of organizations like the Fraternal Order of the Police or that she’s well educated or one of the “good ones.” There’s a fluidity to whiteness’ cruelty, an ever expanding playing field that allows for such moral impurity to happen. What if instead of trying to climb the ever increasing ladder that is required of us to get into these elite spaces, we decided that the ladder isn’t worth climbing? Or that the ladder shouldn’t exist at all?
During the confirmation hearings, Senator Cory Booker gave a speech of support and celebration for Judge Brown Jackson’s nomination that roused many but left me unmoved. He spoke about the legacy of resistance that led to both him and Jackson being able to sit in that room this week. But violence is just as much as a part of that legacy. After listening to Booker’s speech, I couldn’t help but feel that after all those years of righteous struggle, the best we could do was become a part of the thing that tried to kill us.
This Black Woman-Owned Creative Agency Shows Us The Art Of Rebranding
Rebranding is an intricate process and very important to the success of businesses that want to change. However, before a business owner makes this decision, they should determine whether it's a rebrand or an evolution.
That's where people like Lola Adewuya come in. Lola is the founder and CEO of The Brand Doula, a brand development studio with a multidisciplinary approach to branding, social media, marketing, and design.
While an evolution is a natural progression that happens as businesses grow, a rebrand is a total change. Lola tells xoNecole, "A total rebrand is necessary when a business’s current reputation/what it’s known for is at odds with the business’s vision or direction.
"For example, if you’ve fundamentally changed what your product is and does, it’s likely that your brand is out of alignment with the business. Or, if you find your company is developing a reputation that doesn’t serve it, it might be time to pump the brakes and figure out what needs to change.
She continues, "Sometimes you’ll see companies (especially startups) announce a name change that comes with updated messaging, visuals, etc. That usually means their vision has changed or expanded, and their previous branding was too narrow/couldn’t encompass everything they planned to do."
Feature image courtesy
The Brand Doula was born in 2019, and its focus is on putting "the experiences, goals, and needs of women of color founders first," as well as brands with "culture-shifting missions."
According to Lola, culture-shifting is "the act of influencing dominant behavior, beliefs, or experiences in a community or group (ideally, for the better)."
"At The Brand Doula, we work with companies and leaders that set out to challenge the status quo in their industries and communities. They’re here to make an impact that sends ripples across the market," she says.
"We help the problem solvers of the world — the ones who aren't satisfied with 'this is how it's always been' and instead ask 'how could this be better?' Our clients build for impact, reimagining tools, systems, and ways of living to move cultures forward."
The Brand Doula has worked with many brands, including Too Collective, to assist with their collaboration with Selena Gomez's Rare Beauty and Balanced Black Girl for a "refresh," aka rebrand. For businesses looking to rebrand, Lola shares four essential steps.
1. Do an audit of your current brand experience — what’s still relevant and what needs to change? Reflect on why you’re doing the rebrand in the first place and what success would look like after relaunching.
2. Tackle the overall strategy first — before you start redesigning logos and websites, align on a new vision for your brand. How do you want your company to be positioned moving forward? Has your audience changed at all? Will your company have a fresh personality and voice?
3. Bring your audience along the journey — there’s no need to move in secret. Inviting your current audience into the journey can actually help them feel more connected to and invested in your story, enough to stick around as changes are being made.
4. Keep business moving — one of my biggest pet peeves is when companies take down their websites as soon as they have the idea to rebrand, then have a Coming Soon page up for months! You lose a lot of momentum and interest by doing that. If you’re still in business and generating income, continue to operate while you work on your rebrand behind the scenes. You don’t want to cut existing customers off out of the blue, and you also don’t want so much downtime that folks forget your business exists or start looking for other solutions.
While determining whether the rebrand was successful may take a few months, Lola says a clear sign that it is unsuccessful is negative feedback from your target audience. "Customers are typically more vocal about what they don’t like more than what they do like," she says.
But some good signs to look out for are improvements in engagement with your marketing, positive reviews, press and increase in retention, and overall feeling aligned with the new branding.
For more information about Lola and The Brand Doula, visit her website, thebranddoula.com.
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Feature image courtesy
Megan Thee Stallion On Artistic Freedom, Nicki Minaj & No Longer Looking For Black Men To Protect Her
With the chart success of her first album as an independent artist and her third album Megan, a triumphant headlining tour debut with Hot Girl Summer, a bevy of lucrative brand partnerships, and a tequila brand called Chicas Divertidas underway, Megan Thee Stallion is proving she's the moment. Not only that, but sis gets money. Plus, she's a star.
Megan Thee Stallion is hosting the forthcoming 2024 MTV Video Music Awards for the first time and will be acting as a host, a performer, and possibly an award recipient as the Houston Hottie is nominated for seven awards in various categories. It all goes down on September 11. But preceding those festivities, the "Hiss" rapper has managed to stun in other ways, one of them is gracing the cover of Billboard's September issue.
Read on for some noteworthy gems from her cover story.
On being her own boss as an independent artist:
"Being independent is hard. When you got a label that does everything for you, all you got to do is wake up and be the celebrity. That’s a very easy life. I have to do s–t other people aren’t doing. I do work as my own label. I do fund a lot of my own things. There’s a lot of things I’m still learning as I go. The s–t is not just handed to me in my lap — I really got to go figure out, 'Okay, now I’m doing it by myself.'
"Not that I’m doing it only by myself, but I’m in a position to be my own boss, so I got to figure out how to be the boss and how to be the employee. It’s tough, but I like figuring it out. I like doing things on my own. I like working. I’m not going to stop. The more I know, the better I’ll get."
On what owning her masters means to her:
"I’ve been fighting for my freedom my whole rap career. I just couldn’t take no for an answer. I don’t ever want to be in a situation where somebody got their foot on my neck ever again. You got to do things to make yourself be your own boss."
On that seemingly one-sided beef with Nicki Minaj:
"I still to this day don’t know what the problem is. I don’t even know what could be reconciled because I, to this day, don’t know what the problem is."
On no longer needing others to feel safe and happy:
"At this point in life, I really don’t care. Maybe if you would’ve asked me this last year or two years ago, I would’ve wished I had more Black people in general in my corner. It would’ve felt nice to be protected by some Black men in this instance, but the more I wasn’t getting it, the more and more I realized I wasn’t going to get it. Who should feel safe and important at the end of the day is me, and I was going to have to make myself feel that way. I wasn’t going to find it in people I don’t know at all. Now I don’t care. As long as I make myself feel happy, then that’s what matters to me."
"Who should feel safe and important at the end of the day is me, and I was going to have to make myself feel that way. I wasn’t going to find it in people I don’t know at all. Now I don’t care. As long as I make myself feel happy, then that’s what matters to me."
On the difference between Megan and Megan Thee Stallion:
"I feel like Megan and Megan Thee Stallion are the same person. When I’m Megan Thee Stallion, I’m having to wear armor. I definitely got to go on stage and get in that mode, but I’m still the same person. Just when I’m not in public, I can really decompress and slouch, and I could watch anime all I want. I can play with my puppies, I can talk on the phone with my cousin, I could be with my best friends in peace. I don’t have to worry about being too strong. I could just be me."
Read the full cover story on Billboard.com.
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Featured image by Theo Wargo/WireImage