From TMZ To Access Hollywood Live: Nina Parker Is Proof That It's Never Too Late To Follow Your Dream
It was 2007. Nina Parker—depressed and tired of answering phones as a call center agent for Verizon Wireless—cashed in her two weeks worth of vacation the following day, and drove to Los Angeles from Sacramento with a few thousand dollars in the bank and no place to live.
At 27 years old, she was starting over.
“My mom was like, 'You know you don't have to do this. You're in your 20s. You have a degree'," Parker says. “I wasn't married nor had kids. She was like, 'I don't understand why you're suffering everyday.'"
It's not that she was completely unsure of her passion in life. She grew up turning cardboard moving boxes into television sets, interviewing fellow classmates about their thoughts on drugs, and gaining valuable experience as an intern at a local news station. The San Francisco State graduate even had a job offer right out of college at NBC in Las Vegas, but turned it down in hopes of snagging a coveted gig as a MTV VJ. She packed her bags for New York City but quickly learned that a degree isn't a guarantee for immediate success.
Photo Credit: Nina Parker
“I was fresh out of college, arrogant, and they were like, 'Girl, you don't have any experience to do anything like that'," Parker says. It's hard to believe that the Access Hollywood contributor who got her big break as one of TMZ's first on-camera talent once struggled to find a job and shied away from the camera.
Hustling Hard
Parker arrived in L.A. with a dollar and a dream and was working as a temp in television when she got word that a new celebrity gossip site was hiring. Without hesitation, she submitted her resume despite her lack of experience working in entertainment news, and was offered a position as a runner. At the same time she was also up for a full-time opportunity with Paramount, who she had been temping for, but despite the pay being more, she chose the position that appeared to be less logical.
"I had to go where I felt I was going to be the most true to myself."
“At the time it was half of the money that I was making being in a corporate job, and I was like I want to do this because it spoke to my spirit to be there. I had to go where I felt I was going to be the most true to myself. I had decided when I moved to L.A. that I wasn't going to let money be a deciding factor for anything. I was okay with struggling for the short term to get a long-term goal that I knew would pay off later," says Parker.
A couple of weeks into her new gig, Parker was fired. “I was a horrible runner," she says. “I was really late with tapes and I didn't know most things Angelenos knew so I was really slow. Harvey [Levin] basically fired me and said that I didn't know where I was going, so I went to the bathroom and I cried."
Her instinct—and her ego—told her not to give up. After apologizing to the managing editor and expressing interest in writing and producing, she was brought back on as the writing PA, and within four months was promoted to producer. But it didn't come without its sacrifices. Working in a start-up entertainment company meant 12-hour workdays, including weekends and holidays.
“I didn't have a line for how hard I was willing to work," says Parker. “Sometimes people turn that switch off like I only want to work 40 hours a week, and to me if you're chasing a dream, you're always working on your craft. If you're not at a job all day, you should do something that day that benefits your craft. If you can outwork people, you're already winning because there are a lot of people who are really smart that aren't where they're supposed to be because they refuse to put in the work, and it's not going to be 40 hours a week."
While she excelled in her new position, Levin had another plan for the humorous and outspoken Parker, and found her to be a perfect candidate for the TMZ pilot show that they were shooting. But Parker, still battling with the insecurities of her 70-pound weight gain during her time in Sacramento, politely declined.
“I was very insecure, and basically you have this little Jewish man giving me this Black power speech where he's like, 'You have a voice, there's other black women that need to hear you, I think you can relate in a way that people understand. You're not afraid of me. You like to debate, and we need you on the show so I'm not really asking you that was just a courtesy, you're doing it.'"
Photo Credit: Nina Parker
As Levin predicted, Parker was a star in her own right, breaking stories and being a part of a new wave of reporting where people no longer relied on traditional television for their entertainment news—even if it meant spending 12-hour days outside of courthouses and hospitals hoping to be the first to catch a celebrity-sighting.
“I had gone from having to clock in and out to use the bathroom to being able to be free and do something that was entertainment," Parker says. “I'm bringing back this tape that's being watched by millions of people, so it was enough to motivate me to stay on that path. It was a crazy job to be coming out of Verizon Wireless, but it was refreshing to me after feeling like I wasn't in my purpose to now feeling like I wasn't doing what I wanted to do 100% but I knew I was on the path."
The Glow Up
Before hitting the set of Access Hollywood, Parker takes a few minutes to get her hair and makeup touched up, but she remembers when just a few years ago she couldn't afford to even get a touch up because her hustle was more important than her hair.
“Oh I died, I died!" she says with a laugh, sharing that she often sacrificed being social while living paycheck to paycheck. “It was hard. I had moments where I was at a check-cashing store."
Having a minimal budget meant that she had to get creative, such as hosting game nights with friends in lieu of going out, and finding side hustles to help make ends meet. “Ultimately I started getting involved in other projects and so it was like now I have multiple streams of income, so gradually it just got better and better. The buildings went from a bad neighborhood to a gated community. It definitely changed, but I had to be patient."
Parker's patience paid off as she began to build notoriety as a face of TMZ. But after five years, it was time for a change. She left the show in May 2011 without a job or an agent, but she did have valuable relationships that she had cultivated over the years. After taking time off for the summer she reached out to a Vice President at CBS through social media, who informed her that The Insider was looking for an Internet reporter. By the fall, she had secured a new contract.
"If you're good to people and they see you working hard, they give you opportunities that not everybody would have."
“This is why you have to network because in the real world you can't just hit up the VP of a network. If you're good to people and they see you working hard, they give you opportunities that not everybody would have."
While the position required Parker to be the face of their website, Parker made it her mission to also be involved in the television meetings, where her unique perspective as a woman of color caught the attention of the higher ups, who began booking her for shorter segments before offering her a television correspondent contract just a few months into working with the show.
“Sometimes you have to go in a place and if it's not necessarily the job that you want initially, you have to create it. You have to meet with the people inside and get them to respect you with your opinion and your work and you're able to translate that into something that pays off in the long run."
Photo Credit: Nina Parker
After a couple of years she left The Insider and went on to host the Love and Hip Hop: Atlanta reunion as well as begin contributing to Access Hollywood Live. But more visibility also meant more criticism. “They're like who is this girl think she is as if being curvy eliminates me from having an opinion? As if a gap in my teeth means I'm less intelligent. As if because I don't have makeup on means I can't be passionate about my people."
It forced the woman who was once too shy to be in front the camera to turn her insecurities into empowerment. “I was like I don't care what this person says. I'm going to be on your TV and I'm going to tell you how I feel," she says. “You can say whatever you want, but every time you turn on the TV at this time you're going to see my face and you're going to hear my take. I can't imagine allowing the opinions of people I don't even know to affect my day to where I can't function properly. I wish I would let a stranger have that much power over me to determine my success. You're going to watch me get all of these checks."
"I can't imagine allowing the opinions of people I don't even know to affect my day to where I can't function properly."
Standing her ground and being a voice in an industry where women of color are few has given Parker a new purpose.
“I didn't have a lot of black women in this industry, as far as television news, that I could look up to and be like I want to do that. So, for me, it was important to be like, 'We don't have to get on TV and agree with everybody else. We don't have to agree with mainstream media, we don't have to placate anybody.' You can come and say what you have to say if you have a strong opinion and not offend anybody and give them a different point of view to look at. My experience, that's all I can speak about. I can't speak about a white experience. I had people in the community tell me how proud they were that I held my own."
Staying true to who she is and her vision has opened doors in ways she only once dreamed about. This year, you can catch Nina as a guest host on E!'s The Daily Pop and covering red carpets at The SAG Awards, Grammy's and more.
For someone who pressed the reset button on her career at a time when many are just settling into their positions, Parker is proof that there is no age limit to finding and walking in your purpose.
Kiah McBride writes technical content by day and uses storytelling to pen real and raw personal development pieces on her blog Write On Kiah. Follow her on Instagram and Twitter at @writeonkiah.
ItGirl 100 Honors Black Women Who Create Culture & Put On For Their Cities
As they say, create the change you want to see in this world, besties. That’s why xoNecole linked up with Hyundai for the inaugural ItGirl 100 List, a celebration of 100 Genzennial women who aren’t afraid to pull up their own seats to the table. Across regions and industries, these women embody the essence of discovering self-value through purpose, honey! They're fierce, they’re ultra-creative, and we know they make their cities proud.
VIEW THE FULL ITGIRL 100 LIST HERE.
Don’t forget to also check out the ItGirl Directory, featuring 50 Black-woman-owned marketing and branding agencies, photographers and videographers, publicists, and more.
THE ITGIRL MEMO
I. An ItGirl puts on for her city and masters her self-worth through purpose.
II. An ItGirl celebrates all the things that make her unique.
III. An ItGirl empowers others to become the best versions of themselves.
IV. An ItGirl leads by example, inspiring others through her actions and integrity.
V. An ItGirl paves the way for authenticity and diversity in all aspects of life.
VI. An ItGirl uses the power of her voice to advocate for positive change in the world.
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You've Never Seen Luke James In A Role Quite Like This
Over the years, we've watched Luke James play countless characters we'd deem sex symbols, movie stars, and even his complicated character in Lena Waithe's The Chi. For the first time in his career, the New Orleans-born actor has taken on a role where his signature good looks take a backseat as he transforms into Edmund in Them: The Scare—a mentally deranged character in the second installment of the horror anthology series that you won't be able to take your eyes off.
Trust us, Edmund will literally make you do a double take.
xoNecole sat down with Luke James to talk about his latest series and all the complexity surrounding it—from the challenges taking on this out-of-the-box role to the show's depiction of the perplexing history of the relationship between Black Americans and police. When describing the opportunity to bring Edmund's character to life, Luke was overjoyed to show the audience yet another level of his masterful acting talents.
"It was like bathing in the sun," he said. "I was like, thank you! Another opportunity for me to be great—for me to expand my territory. I'm just elated to be a part of it and to see myself in a different light, something I didn't think I could do." He continued, "There are parts of you that says, 'Go for it because this is what you do.' But then also that's why it's a challenge because you're like, 'um, I don't know if I'm as free as I need to be to be able to do this.' Little Marvin just created such a safe space for me to be able to do this, and I'm grateful for everything I've been able to do to lead to this."
Courtesy
Them: The Scare, like the first season, shines a light on the plight of Black Americans in the United States. This time, the story is taking place in the 1990s, at the height of the Rodney King riots in Los Angeles. While the series presents many underlying themes, one that stands out is Black people and the complicated relationship with the police. "For the audience, I think it sets the tone for the era that we're in and the amount of chaos that's in the air in Los Angeles and around the country from this heinous incident. And I say it just sets the tone of the anxiety and anxiousness that everybody is feeling in their own households."
James has been a longtime advocate against police brutality himself. He has even featured Elijah McClain, the 23-year-old Colorado man who died after being forcibly detained by officers, as his Instagram avatar for the past five years. So, as you can imagine, this script was close to his heart. "Elijah was a soft-loving oddball. Different than anyone but loving and a musical genius. He was just open and wanted to be loved and seen."
Getty Images
Luke continued, "His life was taken from him. I resonate with his spirit and his words...through all the struggle and the pain he still found it in him to say, 'I love you and I forgive you.' And that's who we are as people—to our own detriment sometimes. He's someone I don't want people to forget. I have yet to remove his face from my world because I have yet to let go of his voice, let go of that being [because] there's so many people we have lost in our history that so often get forgotten."
He concluded, "I think that's the importance of such artwork that moves us to think and talk about it. Yes, it's entertaining. We get to come together and be spooked together. But then we come together and we think, 'Damn, Edmund needed someone to talk to. Edmund needed help... a lot [of] things could have been different. Edmund could have been saved.'
Check out the full interview below.
Luke James Talks Ditching Sex Symbol Status For "Them: The Scare", Elijah McClain, & Morewww.youtube.com
Featured image by Getty Images